In honor of this week's British Open, here is a piece I did last year.
Saturday, July 21, 2012
Wednesday, March 30, 2011
The Last Trip

Here's another illustration from Steve Paul Barlow's "I'd Rather Get Blisters" (still available at Briar Hill Books). I remember trips like this when I was a kid. Four kids and two parents in an overstuffed station wagon with no air-conditioning. Fun times.
Thursday, February 17, 2011
IF - Sweater
I haven't done an Illustration Friday in a while. This weeks theme is "sweater". I did another sweater oriented IF picture for the theme,"flawed" a couple of years ago. I suppose I could just link to that one again and save some work, but that would be lame. So here's a new one.
Saturday, February 5, 2011
Process - part two
The next thing I do is to trace the image onto a piece of bristol board using my tracing box. My tracing box is actually a box designed to hang on a wall in a doctor's office and used to view x-rays. My wife found it at a garage sale years ago. It's lightweight so I can put it on my drawing table to use and lean it in a corner the rest of the time to save space. I don't pencil directly on the board because I want to avoid any erasing that might roughen the surface and effect my ink washes later.
I trace most of the lines in ink using a crow quill, trying to leave areas that will be completed in wash. The fisherman and the stream are traced in pencil instead of ink. I'm hoping for a sense of depth, so I don't want hard edges in the background.
Next, I go over the lines with ink using a #2 watercolor brush. You get a more expressive line inking with a brush. Some of the pen lines are left as is. I start to fill in darker areas with black and add texture with dry brush.
I then go over the drawing with a wash (ink diluted in water). Textures are added in wash. For example; the creel, Steve's hair and the background. Sometimes the wash is put down directly in one go and other times areas are built up in successive layers. I find that ink wash can result in a smoother finish than watercolor but it is not forgiving. Once it is down, it is down.
Lastly, I go over the drawing again in ink with a crow quill and brush, adding more leaves and textures. Then I only have find a place to hide my signature.
I trace most of the lines in ink using a crow quill, trying to leave areas that will be completed in wash. The fisherman and the stream are traced in pencil instead of ink. I'm hoping for a sense of depth, so I don't want hard edges in the background.
Next, I go over the lines with ink using a #2 watercolor brush. You get a more expressive line inking with a brush. Some of the pen lines are left as is. I start to fill in darker areas with black and add texture with dry brush.
I then go over the drawing with a wash (ink diluted in water). Textures are added in wash. For example; the creel, Steve's hair and the background. Sometimes the wash is put down directly in one go and other times areas are built up in successive layers. I find that ink wash can result in a smoother finish than watercolor but it is not forgiving. Once it is down, it is down.
Lastly, I go over the drawing again in ink with a crow quill and brush, adding more leaves and textures. Then I only have find a place to hide my signature.
Saturday, December 11, 2010
Process - part one
I have once again been given the opportunity to illustrate a book by Steven Paul Barlow. Steve's latest, "I'd Rather Get Blisters", is now available at Briar Hill Books. I will put a few of the illustrations on the blog in the near future. I thought I would use the first one to show my process for doing a pen and ink wash illustration.
This illustration was for a story where Steve relates his earlier idea for using a mountain bike to get to and from hunting and fishing spots in the wild. Unfortunately, his bicycle skills are a little shaky. I decided to show Steve out of control on his bike. I started with a lot of loose sketches.
At this point I wasn't sure how out of control I wanted him to be. I downloaded some pictures of mountain bike crashes as reference. I decided to have him be out of control but not crashing
(yet). After I came up with a pose I liked (lower right), I drew a tighter sketch. I added a fishing creel and a pole case. I selected the fly fishing equipment because the looser straps would add to the feeling of motion rather than a backpack tight to the body. Actually, I've never asked Steve if he fly fishes and this scene doesn't actually happen in the story. But that's okay, my Artistic License is still valid.
Next I trace the figure and bike in pencil on tracing paper tightening up the lines and adding stuff like the bike rack and boots. I worked on the background which I had only roughly indicated in the pencil sketch. The fisherman in the creek and the squirrel in the foreground are added because of my pet theory that a humorous picture is often funnier if there is someone in the picture reacting to the chaos.
Next: Inking
This illustration was for a story where Steve relates his earlier idea for using a mountain bike to get to and from hunting and fishing spots in the wild. Unfortunately, his bicycle skills are a little shaky. I decided to show Steve out of control on his bike. I started with a lot of loose sketches.
At this point I wasn't sure how out of control I wanted him to be. I downloaded some pictures of mountain bike crashes as reference. I decided to have him be out of control but not crashing(yet). After I came up with a pose I liked (lower right), I drew a tighter sketch. I added a fishing creel and a pole case. I selected the fly fishing equipment because the looser straps would add to the feeling of motion rather than a backpack tight to the body. Actually, I've never asked Steve if he fly fishes and this scene doesn't actually happen in the story. But that's okay, my Artistic License is still valid.
Next I trace the figure and bike in pencil on tracing paper tightening up the lines and adding stuff like the bike rack and boots. I worked on the background which I had only roughly indicated in the pencil sketch. The fisherman in the creek and the squirrel in the foreground are added because of my pet theory that a humorous picture is often funnier if there is someone in the picture reacting to the chaos.
Next: Inking
Tuesday, September 7, 2010
Bethany and Aaron
Monday, June 7, 2010
Invitation Art
Tuesday, November 17, 2009
IF - Unbalanced
Thursday, October 29, 2009
IF - Fast
Thursday, October 15, 2009
IF - Flying
Thursday, September 24, 2009
A Pepper

This is my latest still life. I wasn't really planning on doing one, but I saw this pepper from my wife's garden sitting on the kitchen counter. Painting the transition from red to green was very interesting. I also learned that I should try to complete the painting quickly. I stopped painting before I was finished and came back the next day to a much redder pepper.
Sunday, September 13, 2009
Bethany and Reginald
Thursday, June 25, 2009
Gargoyle
Friday, June 12, 2009
Art by Committee - Trudy L.
James Gurney at gurneyjourney.blogspot.com has issued another "Art by Committee" challenge. This time, rather than a snippet from an old science fiction manuscript, he has provided a business card he picked up in a restaurant. The challenge is to imagine the person whose card it is.
This is the card:
My first response was the obvious one; a mousy librarian type. But then, it occurred to me that the Harvard Depository must be a huge place. Trudy L's job has to be more exciting than one might think:
This is the card:

Thursday, April 30, 2009
That's the way to do it!
This week's Illustration Friday topic is "theater". Here's a picture of two extremes of theater together.
Friday, April 24, 2009
Four Guys
Friday, March 20, 2009
Rockabilly Angels
Wednesday, March 11, 2009
Art by Committee - Banana Tree
This is my entry to this month's Art By Committee challenge at James Gurney's blog, Gurney Journey. The text for this challenge is " I lashed out with my left arm. clutched something thin and hard. tore at it; the next second a banana tree fell across my chest. But the pain was...." I think the challenge for this one is that it describes (sort of) a sequence of events so if you're planning on doing a single image you have to pick a point within that sequence. The involvement of a banana tree naturally led me to a giant gorilla. Everyone likes a giant gorilla.Click image to enlarge.
Thursday, February 12, 2009
ABC - Keep an Eye Out
James Gurney has issued another Art by Committee challenge. He takes a random snippet from a science fiction manuscript and invites you to illustrate it. There is no context provided and the text is usually pretty wacky. He stopped doing these a few months ago but has started again on a monthly basis.This one month's challenge was to illustrate "I should stay here and keep an eye out". I find that the simpler the quote the harder these challenges are. I was stumped until it occurred to me to make an homage to one of my all time favorite comics.
Tuesday, February 10, 2009
Subscribe to:
Posts (Atom)










